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Clive's Studio


Part Two - 1994 to 2004


Photos In the Studio: Page 1 (2005 to 2009)



The Jump Tribe - November 2004


Clive Barker - The Jump Tribe, November 2004

Clive Barker - The Jump Tribe, November 2004

The Jump Tribe
Originally conceived as a bestiary of Abaratian creatures, the five canvases above ultimately record the 240 characters destined to be realised as the Jump Tribe in story form and as plushies.



The Artist's Passion - 2004


Clive Barker - The Artist's Passion - 2004 Clive Barker - The Artist's Passion - 2004

Clive Barker - The Artist's Passion - 2004 Clive Barker - The Artist's Passion - 2004

Clive Barker - The Artist's Passion - 2004 Clive Barker - The Artist's Passion - 2004

The Artist's Passion
Captured by Rob Graydon, directing Abarat: The Artist's Passion - a documentary for Fangoria's Blood Drive DVD - these photos show Clive descending the stairs to the studio before working on Babilonium.




Dark Dreamers - October 2000


Clive Barker - Dark Dreamers - 2000 Clive Barker - Dark Dreamers - 2000

Dark Dreamers
Stanley Wiater's Dark Dreamers TV series interviewed Clive in October 2000 in the studio. The then-recently painted Two Monks is hung on the wall in the background.



The Book Of Strange - 2000


Clive Barker - Rough Cut - 2000 Clive Barker - Rough Cut - 2000

Clive Barker - Rough Cut - 2000 Clive Barker - Rough Cut - 2000

The Book Of Strange
Dennis Etchison and Pete Atkins sat Clive down in the studio in 2000. Footage included Clive painting and chatting with Pete.



In The Studio - 1999


Clive Barker - In the studio, 1999

Clive Barker - In the studio, 1999

The Advocate
In late 1999, The Advocate took photos that ran in its 18 January 2000 edition. Both Clive and his husband David were featured in front of some Abaratian clowns.


The Nightmare Series Encyclopaedia - 1999


Clive Barker - The Nightmare Series Encyclopaedia, 1999

The Nightmare Series
Sometime in 1999, Clive was interviewed for the extra features disc of the Nightmare on Elm Street DVD box set, with the walls of the studio painted as a rural landscape.







In The Studio - 1997/98


Clive Barker - In the studio, around 1997 or 1998 Clive Barker - In the studio, around 1997 or 1998

With John Mischief
A pair of photos taken by Clive's husband, David Armstrong, in the studio with the Mischief Brothers.



In The Studio - 1997


Clive Barker - In the studio with H.R. Giger, 1997 Clive Barker - In the studio, 1997

With H.R. Giger
A pair of photos published in That's Clive!, issue 6 in November 1997 and taken during a visit to Clive's house by the legendary artist H.R. Giger, along with James Cowan. The then-recently painted Laguna Mumm and The Mad King are in the background (and note how The Mad King has become the final version of the earlier rough painting in the right hand image below from Masters of Fantasy!).



Masters of Fantasy - 1996


Clive Barker - Masters of Fantasy, 1996 Clive Barker - Masters of Fantasy, 1996

Clive Barker - Masters of Fantasy, 1996 Clive Barker - Masters of Fantasy, 1996

Clive Barker - Masters of Fantasy, 1996

Masters of Fantasy
Shot by the Sci Fi Channel in 1996 for their documentary series , Masters of Fantasy, these photos show Clive at work on the very earliest Abarat paintings, with Kaspar Wolfswinkel, the very first Abarat painting, clearly on display along with the Mischief Brothers.



The South Bank Show - 1994


Clive Barker - The South Bank Show, 1993 Clive Barker - The South Bank Show, 1993

The South Bank Show
This UK documentary was also presented as A&E Biography: The Master of Horror in the US. Recently installed in his Los Angeles home, Clive's painting space was an upstairs room before the downstairs area was converted into a dedicated painting studio. Some early large-scale oils are in evidence among the pen and ink works.



Dark Dreamers - 21 March 1994


Clive Barker by Beth Gwinn for Dark Dreamers, 2001

Dark Dreamers: Facing The Masters Of Fear
This forms part of a collection of portraits of horror writers, artists and filmmakers taken by the photographer Beth Gwinn. In the same upstairs room, Clive poses before another early oil.






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