Clive Barker - Undying - cover artwork

Released on 20 February 2001 in the US and 8 March in the UK, the game had been undergoing development for some time before Barker's involvement - DreamWorks already had a partially developed game based on a Steven Spielberg project from way back at the beginning of 1999, but needed some help with the storyline. Overhauls from Barker included the main character getting a complete make-over and changing his name accordingly (from Count Magnus Wolfram to Patrick Galloway). The multiplayer mode (and its attendant spells) was a casualty along the way.
Electronic Arts / DreamWorks Interactive promised that the game would deliver "arcane magic, supernatural abominations, and ancient horror" was enhanced by the several layers of reality that Barker generated for them, giving the game what he describes as "the texture of a novel". He also lent his vocal talents as well - recording the voice of Ambrose (suitably the black sheep of the family). Barker has said that Jeremiah's family has "more secrets than the Kennedys and a good deal darker." Galilee 2, anyone..?
Electronic Arts have a massive website dedicated to the game, featuring screenshots, background material and downloadable movies.
Those of you interested in the development process should check out an absolutely fascinating 'developers diary' article at Gamespy.com - who also have the teaser and 6 other movies available to download as well as the back story of several of the characters. Check out IGN.com for a couple of movies too.
Despite having almost as many delays as the PC version, June 2002 did finally see Undying's bow in a Mac version from Westlake/Aspyr Media.
Ultimately though - and despite good critical reaction - poor sales have resulted in Brady Bell confirming that, 'the Undying franchise is dead,' meaning no PS2 version, or follow-up titles...

Clive Barker - Undying - Prima stategy guide Clive Barker - Undying - Mac version

"They had done some of it and I said, make it more weird. Weird, driven, hard - I'd written hard on the story because my first responsibility, I felt, was to get the story part of it right and be sure that the story made emotional sense. That seemed to be the heart of the problem. Once we'd done that, then we could start to fiddle with design and first up was character, because that's really what an audience is going to respond to. Next up was environment and I did nothing with the monasteries and the walls of the manor as that fell to the designers completely and with Oneiros I just said that I want to make sure that its depths are as vertiginous as possible. It can't just be a pretty piece of Lovecraft. It's got to have a weird kind of logic to it, which it's got."

Clive Barker : Part Two

By Smilin' Jack Ruby, Fandom.com, 13 December 2000 (Note - full text at fandom.com)

"[DreamWorks was] looking for a partner to develop the story, the creatures in the story and bring it to conclusion... This was a great way to see the bones of the thing and then be invited to put the flesh on it."

Barker, DreamWorks Play Games

By Bill Higgins, Variety, 27 April 2000

"My enthusiasm as an artist is not rooted in any particular medium, but in the act of imagination. I am motivated by the images and scenes which arise from my subconscious."

Playing Undead

By David Hancock, The Times, Midland Metro, 2 September 2000

"[Undying]'s a dark fantasy with lots of levels, lots of realities in it. It's not horror in the sense of Hellraiser. It's horror which is very bloody, very graphic, with plenty of monsters, no question; but also a big adventure level in it. There is the sense, as you are visiting different dimensions and alien cities, that a monster in an alien city is a different thing than a monster sitting in your kitchen sink!
"When you put alien forces of one kind or another in your kitchen sink, your attic or your basement, as I did in the Hellraiser and Candyman movies and in a bunch of short stories, plainly those monsters operate as horror figures. If they are simply flora and fauna in an alien landscape, then, perhaps, they don't scare you so much. In a way, it's like 'When in Rome...' you know?"

Clive Barker : A Renaissance Man Of Gothic Proportions

By Gil Kaan, Genre, Issue No 86, October 2000

"The Undying, the game I am doing with DreamWorks. Comes out on February 14th, Clive Barker's Valentine. They are making a trailer. It runs about a minute to a minute and a half. It's pretty cool and they are just doing a cut of it now. I will try to get you a copy of it for the site. It really looks great. That comes out in February."


By [Craig Fohr], Lost Souls Newsletter, September / December 2000 (note - interview took place 25 August 2000)

"I still believe that [A great quest will have, maybe, a circular structure]. I certainly believe that quests are clearly nonlinear narratives. There's also very plainly... the idea about the pursuit of knowledge, which begins as outward knowledge but ends as inward knowledge. It's certainly something we talked about as far as this game is concerned. When you deal with issues of family, as this game does rather grimly, you can't help but look inward. I hope we'll be talking, even today, about me coming back and doing another game with DreamWorks Interactive. I think we have all kinds of things that we can yet do. I think that the investigation, the journey has only just begun. The DreamWorks Interactive team educated me on what we could or couldn't do. I asked why we couldn't do certain things, didn't get an answer, so we simply did it. Technology is moving along at such a speed that we will have engines that will create novels in the form of games... and I want to be there when it happens.
"We'd change things a bit, but I'd love to see this as a movie. The basic laws of telling these kinds of dark stories are universal laws about good vs. evil, about tainted families. This is a big family saga. The corruption of families is a large part of horror fiction. You look at Lovecraft fiction. He deals with family members that should not be family members at all. Poe does the same thing. American horror fiction has very regularly dealt with the horrors of inbreeding and so on. I think in this curious kind of way, what is being honored in Undying is American Gothic fiction. That's the feel of this."

Crossing Over

By Eric Twelker, Amazon.com, January 2001 (N.B. full text available at amazon.com)

"We had this fellow called Magnus. Count Magnus Wolfram. Who was bald, tattoed, looked like a comic book hero. And I got them all in a room, and I said, 'Look, does anyone in this room know a count? No. Does anybody in this room know anybody called Magnus? No. Does anybody really want to be in this guy's skin? Since this is a first person play, why would you want to be in this man's skin? Why would you want to play [as him]?' And so we threw him out, and I said, 'Look. You've got a gay man in charge here. Bring me somebody I want to sleep with. Bring me somebody fabulously sexy.'...
"Brian Horton about ten days later sent me the character that now appears on the screen. Who was wonderful, he's everything I wanted. He was just the right kind of character. He seemed like somebody you would want to be, somebody you would want to play, whose skin you would want to occupy for a period of time. Even if you are going against the hordes of hell, at least he was going to do it with a smile on his face."

Clive Barker's Undying Interview

By Jason Bergman, www.sharkygames.com, 21 February 2001

"In a way, [Undying] does go back a bit to the Books Of Blood, the feelings I had when I wrote those books, which was that there were no rules. There are some things in this game that are just outrageous. Ambrose, particularly in his transformed state, is really just disgusting. I also think, if you look at this game, it's designed like a movie, it feels like a movie. It's not brightly colored like a Pokemon game, it has sepias and grays and occasionally eruptions of red.
"I think, in a way, you can tie Undying to Edgar Allan Poe or H.P. Lovecraft. Some of the landscapes definitely bring to mind some of the weird, inter-dimensional spaces that Lovecraft evoked, while once you get inside the house, and you see all the twisted, messed-up family, you're in Poe territory, the same territory that informs The House Of Usher. So I think we paid our dues to our literary forebears, and then moved on into something wilder."

Clive Barker

By Paul Semel, Gamespy.com, [13] December 2000

Undying Concept Art by Brian Horton - Inhabitants Undying Concept Art by Brian Horton - Howlers
Clive Barker - Undying - cover artwork

"...Looking back, I grasp for answers as I grasp for air. The story, it seems, changes as I recount it, the dreadful details shifting as if alive. I envision a familiar corridor. Poised before each doorway, listening and waiting, I shudder to uncover the mystery and put the familiar souls to rest. Yet, through every door lies some inexplicable terror. I need to open these doors... I am compelled to tell it all."

Clive Barker - Undying Skeletons

Incite.com : "EA is said to be internally developing a PC horror title using the Unreal Tournament engine. The first person-shooter, called Clive Barker's Undying, is based on the horror novel of the same name. According to recent reports, EA will unveil the title at E3 in May, but the game is due for completion in fall 2000.
"Clive Barker, whose writing and filmography includes Candyman, Hellraiser and other titles that would frighten Stephen King, ought to make for a pretty scary game. However, the fact that Undying is based on the UT engine alone means this title is one to keep a sharp eye on."

EA Horror With Unreal Engine

By [ ], Incite.com, 11 April 2000

Glen Entis - DreamWorks Interactive : "We were working on a title that had a lot in common with things Clive was interested in, and we asked him to take a look. Clive was immediately generous with ideas. He really clicked our team."

Barker Darkens DreamWorks' Door For Game

By Eddie Borges, Hollywood Reporter, 27 April 2000

Dell Siefert : "Clive Barker was the first to point out to us that we were crossing genres of Horror. We start with very gothic sensibility (haunted house, family in decline) and transformed it into a more cosmic (Lovecraftian) tale. This has given us a lot of breadth in both Art Direction and Character design. While the Art Director will discuss this more in depth later I wanted to point out that this diversity allowed us to instill our characters with vastly different characteristics, both in their strengths and weakness, as well as their objectives.
"Since our game will be story driven it will not be about clearing levels. Similar to 'Resident Evil' (or 'Alone in the Dark') much of the adventure takes place in a haunted Manor House. The house will reveal itself over time as the player discovers new skills or advances the story. Creature's appearances and attacks will be driven by the context of the story. A player may walk through the kitchen a number of times until they have angered the ghost of the house, Aaron. Now the kitchen becomes hazardous as Aaron decides to fling knives and whatever else he can find at the player.
"It will not always be in the interest of the player to combat the creatures they encounter. Aaron himself will be invulnerable to most attacks and can only be defeated by solving the puzzle of his existence. Others creatures like the Inhabitants of Sil Lith may be passive until provoked. While one Trsanti might look like an easy target, when he calls his buddies to his aid the player will find they bit off more than they can chew."

Undying - Development Journal 2

By Dell Siefert, Gamespy.com, August 2000

Electronic Arts : "Set in Ireland of the 1920's, players take on the role of Magnus, who has been summoned to an ancestral estate by its lone descendent, Jeremiah. Death has claimed Jeremiah's four siblings, all of whom have been reanimated and now intend to slay their living brother, the last of the family. To save his friend and unravel the horror that has befallen Jeremiah and his family, players must embark on five perilous quests. The quests will take players to 10 areas of the game including the ancestral estate, a destroyed monastery, the Eternal Autumn and the cursed city of Oneiros. Players will have to defeat each of the evil siblings in his or her individually corrupted and demonic environments in order to grasp the greater scope of the horror of Clive Barker's: Undying.
Clive Barker - Undying Monk "Along the way players will also encounter more than 20 enemy creatures, but will be able to avail themselves of 16 spells (eight defensive and eight either miscellaneous or offensive), including the destructive Skull Storm and reality-bending Mindshatter. In addition, there will be eight weapons for players to use in the game including dynamite, a shotgun, Tibetan War Cannon and The Scythe of Brennus. The game will also feature a special spell called Scrye that will allow players to see or hear clues and back story that are not apparent to the naked eye."

Electronic Arts Announces Clive Barker's: Undying for the PC

By [ ], Electronic Arts Press Release, 11 May 2000

Incite.com : "A deep and spooky story to compare with Half-Life. Clive Barker, best known for his involvement in horror stories such as Candyman and Hellraiser, is joining EA [Electronic Arts] to give Clive Barker's Undying his own imaginative, horrific, touch. From what we've witnessed so far, Undying looks very promising.
"In addition to a trusty old shotgun, Malitov cocktails, and dynamite, players can look forward to some not-so-conventional weapons: a Scythe, a spear gun that can turn enemy creatures into a pin cushion, and a Tibetan War Cannon.
"With regards to the spells in Undying, the developers at Dreamworks say they "wanted more than just magical bullets." One interesting gameplay element will be the ability to amplify spells through ectoplasm. The basic "Firefly" spell illuminates an enemy in the dark. However, amplified to level five it also lures magic weapons such as heat-seeking missiles to the enemy.
"With a few technical tweaks to the Unreal engine, Dreamworks will introduce some interesting gameplay elements to the first-person shooter genre. A custom wind system blows out candles and makes curtains billow in the wind, and a custom lighting system creates long, eerie shadows for a terrifying atmosphere. Some areas will call for Thief-like gameplay, in which you - and your enemies - can hide in the shadows.
Magnus "Unique and well-developed enemy creatures will also be present. The werewolf-like Howler is blind, but he'll know exactly where you are if you make any noise - and if he gets you, he'll knock your head off and eat it.
"The game is still in its early stages, but from what we've seen we're very enthusiastic about Undying - particularly the multiplayer mode. EA has scheduled Undying for winter 2000."

Previews - Clive Barker's Undying

By Kevin Da Luz, Incite.com, 11 May 2000

Zdnet.com : "Undying is a first-person shooter with a marked mystical look and feel. Players assume the role of Magnus, who's described as a spiritual version of Indiana Jones. The game is set in Ireland during the 1920s. Magnus is called upon by one of his friends who's recently been haunted by the spirits of his dead siblings. In order to save his friend, Magnus must unravel the secret of the siblings' death and embark on five quests that span two different planes of existence.
"The game's levels are simply gorgeous, even this early on in development. Undying is brought to life using a heavily modified version of Epic's Unreal Tournament engine, and only the most discriminating eye will be able to note any similarities between it and other Unreal-powered games of past. Undying will be available in the fall."

Clive Barker's Undying (First Impression)

By Staff at Games spot, Zdnet.com, 24 May 2000

Clive Barker - Undying Demon

3dshots.com : "As Magnus, a master of the occult, you are drawn into the drama of a dying family whose degeneration threatens the fabric of reality. A desperate struggle ensues as Magnus utilizes a deadly combination of forgotten magic and devastating weapons to counter the forces of chaos. Powered by the Unreal game engine, The Undying delivers a highly unique, thoroughly chilling PC game experience."

Clive Barker's Undying

By [ ], 3dshots.com, 23 May 2000

Clive Barker - Undying Zombie

Gameboyz.com : "Clive Barker's Undying from DreamWorks Interactive brings players into a world of arcane magic, supernatural abominations and ancient horror.
"Set in Ireland of the 1920's, players take on the role of Magnus, who has been summoned to an ancestral estate by its lone descendent Jeremiah. Death has claimed his four siblings, each who have reanimated intent on slaying their living brother, the last of the family, so as to free the Curse of the Undying King.
"In order to save his friend and unravel the curse that has befallen Jeremiah's family, Magnus must embark on five perilous quests before he can unearth the final horror of the estate.
"Each quest brings Magnus face-to-face with one of Jeremiah's undead siblings and the strange and wicked creatures the curse has attracted. In addition, Magnus must triumph over his reviled competitor Kiesinger. If there is power to be had by unearthing the mystery of the estate then Kiesinger will try and steal it - and there is much power to be had. It's up to Magnus to defeat each of Jeremiah's siblings and vanquish Kiesinger in order to quell the Undying King.
"Clive Barker's Undying marks the first interactive project from the famed British author, illustrator, director and playwright. Considered by many to be one of the best storytellers of our times, ideas sprung from Barker's imagination often embrace horrific themes...Clive Barker's Undying is promised to have a similar horrific ambiance consistently found in all his works. The situations and creatures encountered in Undying will be creatively deadly and demand players use their wits and caution, as well as imaginative weapons and spells.
"Key Features :
i. Ten areas that the gamer will visit throughout the game. They include the estate, a destroyed monastery, ring of standing stones, cursed city of Oneiros, the Pirate's Cove, the Eternal Autumn and Neolithic caves.
Clive Barker - Undying Demon ii. Five horrifying boss characters, including four based on Jeremiah's dead siblings. Players will have to defeat each of the evil siblings in their individually cursed and demonic environments in order to confront the Curse of the Undying King.
iii. Sixteen spells (eight defensive and eight either miscellaneous or offensive) including the destructive Skull Storm, and reality bending Mindshatter.
iv. Eight weapons including shotgun, dynamite, Molotov Cocktails, Tibetan War Cannon and Scythe of Brennus.
v. Over 20 enemy creatures including Di'nen, Howlers, Celestial Chanters, Hounds of Ghelziabahr, Sleads and Monto'-Shonoi.
vi. Special modes will include the ability to fly in the spirit worlds and a spell called Scrye that allows players see or hear events that are not apparent to the naked eye to provide back story and clues.
vii. Affecting sound that is actually a vital tool to staying alive, since it may be the only attestation a creature may be near you.
viii. Game will use the Unreal Tournament engine that DWI has highly modified.
ix. Soundtrack of Celtic-inspired spiritual tracks.
Undying Concept Art by Brian Horton - Drinen x. Robust multiplayer capability similar to the Rocket Arena."

Clive Barker's Undying

By [ ], Gameboyz.com, [ ] 2000

Producer - Undying : "At the beginning of this year, Brian Horton (our Lead Artist) came by my office and said, 'Sorry I'm late man... do you want to show the game to Clive Barker?' About the time I ceased stuttering, we were dragging a PC into his house for a demo. Clive immediately dug what we showed, sketched a few character concepts, and offered an 'off the top of his head' list of story suggestions. About this time the rest of the guys joined in my stuttering.
"Since that day, Clive and the development team have collaborated weekly to create new characters, enrich the story, and overall learn everything we can from each other. Fans of his work who have been fortunate enough to meet Clive would undoubtedly agree that he is the most generous man you'll come across... with a real bitchin' house."

Undying - Development Journal 1

By The Undying Staff, Gamespy.com, August 2000

Incite.com : "When you think of Electronic Arts, the words 'first person shooter' usually don't pop into your head. Sure, there was Trespasser on the PC (let us never speak of it again), Medal of Honor on the PlayStation, and a handful of other third person action shooters, but typically when we think of EA, at least on the PC, images of sports titles and racing games dance in our heads. Well, Clive Barker's Undying is hoping to change that image. Like the name implies, famed British horror writer Clive Barker has his hands all over this FPS. He's been acting as story consultant on Undying, making sure that you can expect a lot of atmosphere from this game that is best described as a mix between Resident Evil, Half-Life, and Thief.
"The game is set in the early 1920s. You play as Magnus Wolfram, a veteran of World War I who has just recently returned home from his tour of duty. You have been called to Ireland by your old war buddy Jeremiah. It seems Jeremiah is having family problems. Unfortunately, these problems go a bit further than your typical sibling rivalries or drunken uncles. You see, all of Jeremiah's family is dead, but they continue to haunt him at the family's ancestral estate. Ain't it a bitch when your entire lineage up and dies but they still won't let you be?
"'So why call on Magnus?,' you may be asking yourself. Well, Magnus Undying Concept Art by Brian Horton - Drinen headgear was just starting to realize his arcane side while he was in the war with Jeremiah, so Jeremiah figures that Magnus may very well be the only person in existence who can help him with his undead family woes.
"Undying is built off a modified version of the Unreal engine that includes a whole slew of new graphical features, like a new particle effects system that is affected by wind. But one of the most impressive new features of the graphical engine is the new cloth modeling system. This new feature really helps create atmosphere for a horror game as you can actually see curtains, delicate cobwebs, flowing capes, and the like waver in the air depending on the speed of the virtual wind. This is particularly spooky when it's used to represent an unseen force in the room. Just imagine being in an empty hallway when all of a sudden the doors slam shut, the lights go dim, and the tapestries lining the walls at the end of the hall begin to sway back and forth, getting closer and closer to you with each heartbeat. I think I just soiled myself.
"The game will be split into ten areas spread around the grounds of the island estate, as well as a few locales in other planes of existence. There's the estate itself, the grounds, an ancient monastery that you can explore in both the present and the past, caves, catacombs, a pirate's cove, and the mystical city of Oneiros. Your ultimate goal in Undying will be to vanquish Jeremiah's siblings back to the land of the dead where they belong. Of course, this is a rather lofty task as they've been granted supernatural powers to go along with their grotesque ghoulish forms.
Clive Barker - Undying Skeleton "While your military training will certainly come in handy in this endeavor, your newly acquired mystical abilities will prove mighty useful in dealing with the undead as well. Some of the weapons we saw today include a shotgun, dynamite, a revolver, a Tibetan war cannon, a scythe, and a spear gun which you can use to pin enemy monstrosities to the wall, making for easy target practice. You will have 16 different spells at your disposal -- eight offensive and eight defensive. While 16 spells may seem kind of limiting at first, you'll find augmentations throughout the game that will increase the effectiveness of your spells, morphing some into incantations hardly recognizable at the fifth level. In terms of gameplay mechanics, weapons are delegated to your left hand and spells to your right, using the respective mouse button for each action, and the control system for using multiple forms of attack seems to work quite easily at this point in the game's development.
"Even though the game is a first person shooter, the DreamWorks team is stressing a mix of action and stealth throughout the game. Since creatures will react to sounds in the game environment, You can't just go in blasting if you hope to defeat Jeremiah's family and their minions. Instead you'll want to creep around some of the areas and avoid direct confrontations with an army of the undead.
"Although the team hasn't fully decided what to do when it comes to multiplayer options, they at least gave us the heads-up on what they're looking at for deathmatch. Expect to start with all of the weapons and spells in deathmatch, but you'll have to search for amplifiers and ammunition in the game to use your arsenal at its utmost effectiveness.
"Undying is looking pretty good from what we've seen so far. The team still has a ways to go as far as content goes, but the new engine effects and the heavy story-based spin on the classic FPS model is a step in the right direction for making a horror-based action game. Definitely look for more on Clive Barker's Undying after E3 and before its release this fall on IGNPC."

Clive Barker's Undying : I See Dead People

By Tal Blevins, Ign.com, 16 May 2000


Erik Kraber - Sound Designer : "The spells were very difficult to design. Undying has more than 16 spells, each with multiple levels of functionality. What does a spell sound like? Our goal was to make each spell distinct and organic. Mindshatter is a fast-traveling spell that disorients the opponent when they get hit. We wanted a sound of the spell cutting air as it flies toward the opponent and then a sonic blast as it breaks the sound barrier. For the first part of the sound we took recordings of bullet ricochets, reversed them, pitched them down, and mixed them together. The sound was intense, somewhere between a jet pass-by and laser shot. For the sonic boom, we took decays of explosion sounds, pitched them up, and phased them. It sounded like rolling thunder in a strange dimension. Then the two parts were combined together to match the timing of the visual. When this powerful spell hits you, you'll know it!
"[One] way we make sure that the player never gets comfortable with the background tones is to make sure that the player never hears the same ambient exactly the same way twice. Each area has a wide variety of sounds - we combined up to four long tracks of ambience for each area. And our brilliant engineers devised a way for us to randomly alter these sounds over time, both in pitch and volume. The result is an ambient soundtrack that is dynamic and unpredictable. You never feel that an area is either familiar or at rest."

Undying - Development Journal 5

By Erik Kraber, Gamespy.com, October 2000

Clive Barker - Undying at E3

Clive Barker - Undying - artwork for 'Alice' trailer

"...Be ever vigilant or the Undying King will walk the earth again."

Undying Concept Art by Brian Horton - Kiesinger

Brian Horton [lead artist - Undying] : "My right hand man on the character design team was Jonathan Gregerson, he produced designs for some of the best monsters in the game, and he too comes from and illustration background. Danny Keller, a fantastic animator and draughtsman, helped design all of Ambrose's minions, the Trsanti. Rion Vernon came in towards the end of the process to design the final boss of the game, watch out sucka! Last but not least Jeff Haynie, the leader of the art team and my spiritual compass. With a strong background in illustration and teaching, he helped me design and focus the process from beginning to end.
"With this team, we attacked the characters and in one month we addressed every one of them with pencil or pen drawings. We put all of the characters up on the board of the team room and had a critique. In this meeting Brady (Producer), Jon Galvan (Asst Producer), Dell Siefert (Lead Designer), Jeff Haynie, Jon Gregerson and myself went through each design and made notes for what worked, needed tweaking, or plain out redesign. We were bull's-eye with 70% of them because of the clear communication we had with Dell while in progress, and the remaining 30% took another week to address.
Undying Concept Art by Brian Horton - Lizbeth "We would have taken all of the characters to paint, but we were restricted by time so the 7 major players in the story got the full treatment. They included the player character, Keisinger, the rival wizard, Lizbeth, the youngest sibling, Ambrose the black sheep, Aaron the artist, Bethany the earth witch, and Jeremiah the eldest. These were all painted in Photoshop and the addition of color helped describe the mood of the character as well as the environment they would occupy.
"The most pleasant surprise of the character design process was working with Clive. Mr. Barker was introduced to the project with a handmade book designed by Jeff Haynie that included many of the concept paintings and renders of the finished models. With that and a brief description of the game and story, Clive was right in the pocket with what we were trying to do. He insisted we have sketching sessions at his house where we'd discuss the project and work through any holes in the story and character design. Clive would sit at the foot of the table and would listen to Dell weave the story of Undying.
Undying Concept Art by Brian Horton - Magnus Wolfram "After a few well-placed questions he identified areas that would strengthen the project on a whole. From these meetings we would isolate what needed rework or tweaking, and we started with our main character. Originally our hero's name was Magnus Wolfram, a stocky barrel chested man with eccentric clothes and a baldhead and tattoos all over his body. We all thought he was cool, but Clive saw that Magnus as unapproachable and seemingly super human.
"The story centered on the fallacies of mankind and how evil manifests and corrupts the human spirit. We needed our hero to have human qualities to empathize with him... So from the ashes of Magnus Wolfram, Patrick Galloway is formed, a human character that is by no means a superhero, but by fate, the only person that can save the world. Patrick will have to fight against all odds, with a singular goal, to help his best friend Jeremiah Covenant defeat the evil that plagues him, his family and ultimately the world. Once again, a simple but powerful statement, but it strikes to the core of our motivation. That is highest level of character design. Thanks again Clive. "

Undying - Development Journal 3

By Brian Horton, Gamespy.com, September 2000

Undying Concept Art by Brian Horton - Patrick Galloway

Electronic Arts : "Lizbeth Covenant was the last of the five Covenant children born, and she was the first to die, perhaps accounting for her tragic legacy. Known as the family socialite, Lizbeth briefly thrived in the high society circles of London. But a mysterious wasting disease cut short her social career and she returned to the family home in Ireland where she was often seen roaming the grounds desolately, spending many hours in the family mausoleum, reading the headstones of her ancestors...
"From the outset of the story in Clive Barker's Undying - when Galloway first arrives at the Covenant estate -he begins his investigation of Lizbeth at the family mausoleum, which is located on the manor grounds. When he opens her coffin, he finds it empty. Galloway realizes she has dug her way out of her coffin and can be found leaping around the upper battlements of the Monastery, lurking in the vast catacombs beneath the cathedral and is at home in the vast system of tunnels that connect beneath the estate. It soon becomes all too clear that these same settings are at the core of Lizbeth's realm. Although she may have been seen lurking in the shadows of the manor, the truth is that Lizbeth will not leave her dark and shadowy realm, even if it means allowing Galloway to escape."

Clive Barker's Undying: Lizbeth: The Tormented Socialite

By [ ], Gamespy.com, 11 January 2001

Dellacamp Siefert [designer - Undying] : "[Patrick Galloway is a] sort of mystic traveller, kind of like Indiana Jones with magic.
"We wanted things that allowed us to add more horror elements to the game. For instance, we can have an entire hallway with curtains down each side, and if a ghost moves down the middle of the hallway the curtains flutter even though you can't actually see the ghost."

You Are Not Alone...Clive Barker's Undying

By [ ], PC Gaming World, Issue 45, September 2000

3dAction Planet.com : "Personally, I never found Clive Barker all that frightening. Maybe if I were to find him dead in my closet, but that goes for pretty much any best selling author. Clive Barker's Undying, on the other hand, is a little more creepy and substantially more likely to keep my interest. I got to check out Undying at the 2000 E3, and found it to be very interesting and very different from a lot of the other games on the showroom floor.
"Utilizing the Unreal Tournament engine, Undying is the next entry in the hit parade of horror games to hit the market, but unlike most of the other horror titles (e.g., Nocturne, the Blair Witch games, Alone in the Dark 4) Undying seems to be much more fast paced and focussed on action. The game is played from the first person point of view and features a huge variety of weapons, magical attacks, and enemies. Undying is set in the 1920's and places the player in the role of Magnus, a practitioner of the arcane arts and distant friend to the lord of an Irish estate, Jeremiah Weedhaven. Jeremiah has requested his friend Magnus's help to discover why his brothers and sisters have come back from the dead. The player will uncover clues to the curse of the Undying King and eventually discover the evil that is behind the madness. I'm not sure exactly what that means, but it sounds very unpleasant and Magnus is determined not to let it happen.
Clive Barker - Undying Demon "Magnus has both spells and more traditional firearms at his disposal, and he can use them together to great effect. There are 16 spells altogether, but each spell can be upgraded up to five times for greater potency or extra effects. One spell, Ectoplasm, becomes cheaper to cast and gains increased range as it is amplified. At its highest amplitude Ectoplasm gains the ability to pass right through walls. Some of the spell effects were very interesting, and all of the ones I saw had very impressive visual effects. The engine's redone particle effects system makes all of the spells visually pleasing.
"In addition to offensive spells, Undying features a lot of passive and defensive spells. There are several points in the game where using spells like haste, shield, or silence would be much more effective than trying to take enemies head on. One particularly cool spell I saw demonstrated was a Firefly spell that outlined so that you could see them hiding in any of the game's many shadows. This was ideal, explained DreamWork's Dellekamp Siefert, for exposing campers during multiplayer. In addition, at higher amplitude levels Firefly would attract magical projectiles, in effect creating homing missiles out of these attacks for a brief period of time.
"While spells are cast by his right hand, Magnus wields conventional (as well as some unconventional) weapons in his left. His trusty revolver is the weakest of the weapons to start, but it can be upgraded with different kinds of ammunition to add extra punch, particularly against certain enemies. In the revolver, if you load it with silver bullets it will do magical damage vesus the conventional physical damage of normal shells. The other weapons I saw at the demo were the shotgun, sticks of dynamite, a scythe, and a bizarre cannon shaped like a dragon's head. The interesting thing about this two-fisted approach to spells and firearms is that it can lead to some interesting combinations, particularly with the defensive and information spells.
Clive Barker - Undying Beastie "One of the cooler gameplay elements I saw was what was called the 'scrying mode'. This is where Magnus's mystical side takes over and he is able to see into the spirit world. When activating this mode the view gets a little warped, and you are able to see things that were not there before (I'll forgo the nearly obligatory Sixth Sense reference here). This mode of play enables the designers at DreamWorks to do a number of interesting things, such as give players clues about traps, move the storyline along through ghostly apparitions (System Shock 2, anyone?), or give subtle hints about the best way to progress through a level. One great example of this use of scrying during the E3 demo came when Magnus was trying to walk across a floor of rotted and dusty wooden planks above a room where a large group of skeletons waited to chop him to bits. The boards would randomly give way and send the player tumbling to the grasp of the enemies below, but if you went into scrying mode you could see a ghostly set of footprints across the safe and stable boards that would let you bypass fighting the skeletons below.
Clive Barker - Undying Skulls "Speaking of enemies, Undying promises more than 20 of them, including Di'nen, Howlers, Celestial Chanters, Hounds of Ghelziabahr, Sleads and Monto'-Shonoi. I have no idea what any of those things are, but I'm willing to bet that none of them are cute and willing to let you give them a big hug. Two of the enemies I saw in the demo were small ghoul-like creatures and skeletal warriors that would keep getting back up after being knocked down.
"One of the cool things to point out about the enemies is that all of the animations I saw were very well done and looked realistic (or as realistic as one might expect a giant skeleton to look). DreamWorks has added a rendering system that can show cloth, spiderwebs, and other effects in a very realistic fashion. Cobwebs flutter in the breeze and drapes move around in the wind, suggesting malicious shapes to the overimaginative onlooker. This is a small thing, but a very effective detail that added greatly to the overall effect.
"In terms of gameplay, there will be plenty of action in the game, but Siefert assured me that there would be some places where you have to be much more stealthy and fear for your life if anything sees or hears you. The gameplay, he said, would be reminiscent of Looking Glass's Thief games. The name of this game is horror and suspense, Clive Barker - Undying - the Engineer, perhaps? which can't exactly be achieved if you run into every room fully confident that you can blast anything to Kingdom Come.
"Multiplayer will ship with the product, allowing gamers to take part in a deathmatch experience that follows some of the same rules as the Rocket Arena mod for Quake. Players will begin with the full assortment of spells and weapons. Combat will revolve around the intelligent and appropriate use of spells and weapons versus simply picking on the defenseless newbie. Of course spells can still be amplified during the game, allowing for tactics and game play styles to develop over the course of the match. Siefert says that an editor for making custom levels should ship with the game, allowing players to create their own single player missions and deathmatch arenas. This is nice to hear, since these editors usually go a long way towards extending the shelf life and value of a game. While the game will come with ten huge levels, players may want to download additional maps from the internet to play.
"All in all, Clive Barker's Undying looks to be very different from most of the action games coming out in the next few months. Horror and action mixed together in an attractive package should keep a lot of people interested and on the edge of their seats. The game is slated for a Q4, 2000 release."

First Person Frightening

By Thrrrp ptt, 3d Action Planet.com : First Looks, 22 May 2000

Brady Bell [producer - Undying] : "In my opinion, solid balancing & pacing of story is what makes good games, great. DreamWorks Interactive was created to push story and interesting characters into new directions, so while our storyline is very involved, at no point can it become a hindrance. Our lead designer (Dell Siefert) and I don't think there's anything fun about reading twenty pages of back-story to help solve a puzzle. At the same time, however, it is there for players who want to immerse themselves further into the game. It's a delicate balance Undying Concept Art by Brian Horton - The Howler ... one we're very conscious of.
"We approached Clive with a first pass at our story and environments already in place. He took the story, punched holes in it, taught us how to improve it, and went to work on additional character design with our artists. It's been an ongoing process where the team has benefited far past our expectations. Without question, what attracted us most was Clive's diverse talent. On our team we have a guy who studied literature, one who graduated from film school, and a troop of artists & animators from various professional backgrounds. Clive Barker is the only person we could all honestly say we've been professionally inspired by. That's more rare than people think."

The Well Rounded Interview - Brady Bell

By Matthew Braynard & Chris Morris, well-rounded.com, 2000

PC Gaming World : "Clive Barker's input into Undying is limited to providing advice - and his name, of course. But don't let that put you off - it still looks the business... He's given updates on the game's progress on a weekly basis. In return he provides the development team with an understanding of what makes good horror content and critically analyses the plot development and momentum of the game, as well as advising on creature look and feel.
"When enemies actually hit you your character will literally reel from the effect - for instance, a belt from a Howler's claw-infested fist will send your view-camera spinning 90 degrees. We put it to DreamWorks that this is a bit excessive, and it agreed. In the final version it's more likely to be 5-10 degrees, although DreamWorks is committed to the Clive Barker - Undying Redhead idea that hits will cost you more than just a little bit of life, they'll also cost you valuable time as you try to re-orientate yourself.
"Of the offensive spells we saw in the game demo, our favourite is Skull Storm, a kind of magical grenade attack. When you select it, a ghostly skull starts dancing in front of your fingertips - cast the spell and your skull will fling itself at an enemy with explosive results. When you amplify this spell you get several skulls - but you've got to use them quickly once you select them, otherwise they'll start arguing among themselves, chattering and clamouring for action. Quite hilarious.
"Most of all it looks like fun. Scary, but fun."

You Are Not Alone...Clive Barker's Undying

By [ ], PC Gaming World, Issue 45, September 2000

Dellacamp Siefert [designer - Undying] : "[Clive] came up with things that really grossed him out. There is a supernatural bloodhound that flies after you and looks like a cross between an eel and a piranha; and a character called Bethany, who has a sack of blood on her back that she dips into with her hands and uses to cast spells - which is really grotesque because you know it's her own blood she's using.
"[Clive] wants to take everything he is involved with and grow it into something bigger. He has been talking about a graphic novel or even a film. Technology is new to him and he is a little taken aback at some of the things we can do. But he comes from a direction where anything is possible."

Playing Undead

By David Hancock, The Times, Midland Metro, 2 September 2000

Brady Bell [producer - Undying] : "[On considering Stephen King as consultant] "We looked at our story and realised we are much more about the fantastic, which is Clive Barker. Stephen King's horror is more real."

Playing Undead

By David Hancock, The Times, Midland Metro, 2 September 2000

Robert Berger - lead designer : "The first six months of a project aren't very sexy. It takes a programmer months to hammer out an animation system. Then a couple of artists kill themselves modeling and animating and texturing just one creature. Then another programmer has to set up a physics system, and another one maps the input devices, and a hundred other things only a programmer could understand. All this just so one lousy beast can walk around on a chunk of ground. It's not very impressive, even to a seasoned professional, which I'm certainly not. But like I said, we're getting to the gravy now. The stuff that makes every meatball in the company drop by on his smoke break to ooh and ahh over your shoulder. Which is a pain when you have to ALT-TAB away from the Abe Vigoda fan chat every five minutes.
"I guess I should put something relevant in here so the marketing folks don't get too bunched up (don't worry, they'll edit that out). The particle system is in, so there's glowing floaty stuff all over the place. Smoldering lakes of magma, blood fountains, flaming corpses, roiling toxic clouds, collapsing buildings, and glimmering mounds of entrails. You should see it. It's like Detroit or something!
"I must say it's not very often any more that a game really impresses me. This one does. And I'm not just saying that because my bonus depends on it. It does, but that's not why I'm saying it. "

Undying - Development Journal 4

By Robert Berger, Gamespy.com, October 2000

Clive Barker - Undying Graffiti

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